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The Royal Pump Rooms, Leamington Spa case study: Connect 4
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SummaryConnect 4 set out to develop a sustainable relationship between the art gallery & museum and rurally excluded young people (14-21yrs). Phase 1 – Introduce young people to the gallery (visits behind the scenes, taster activities, programming policy, establish a focus group). The young people will then be encouraged to curate their own small show which will tour to 3 villages (e.g. curate artwork, collections, whole village) using a ‘spare’ mobile library bus. Phase 2 – Introduce young people to web design and site maintenance. partner organisations: WYAN (Warwickshire Youth Arts Network) young people: Kenilworth Skate Boarders Action Group and young people from Kenilworth and Leamington Spa (Westbury Centre)
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Quick linksSummary The context The project Outcomes Lessons learned Project website
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The context
The organisation
Local authority Gallery & Museum, run by Warwick District Council. Based in the historic Royal Pump Rooms building, the venue opened in 1814 as a centre for spa treatments and since 1999 after a total refurbishment has been home to the Leamington Library and TIC as well as the Art Gallery & Museum. The project was developed by the Art Gallery & Museum and Arts Development Team.
Website: The Royal Pump Rooms, Leamington Spa
The project
Planning
project aims:
• To extend young people’s awareness and knowledge of the visual arts
• To enable young people to engage with professional artists and gallery staff in ways which will increase their self-confidence and aspirations
• To encourage and build long term relationships between the art gallery & museum and rurally isolated young people
Delivery
time-scale: Started March 2004, ongoing (promotion of website will continue).
summary of activities:
phase 1:
• Behind the Scenes tour of the Art Gallery & Museum
• Visual art workshops with lead artist
• Curated ‘SK8’ display at the Art Gallery & Museum
• SK8 tours to Kenilworth Connections
• Artist studio visit and visit to Ikon Gallery
• Displayed banners at opening of new skate park
phase 2:
• Introduction to web design
• Creative discussion and activities to develop content (photography, manipulation of images, poetry, mapping, lifestyle, culture)
• Exhibition design and interpretation, presentation skills
• Accreditation through National Youth Achievement Award
summary of outputs
phase 1:
• Worked with approx 25 -30 young people – 6 young people visited the Art Gallery & Museum, 5 Young people visited Ikon Gallery, 4 Young People in the core group were retained
• SK8 display and banner display for Skate park.
phase 2:
• Worked with 6 young people, 4 Young People in the core group were retained
• Subcultures display and website for young people
changes from original proposal:
• Change of staff at the Art Gallery & Museum
• Concentrated the work with one group instead of 3
• Behind schedule due to problems recruiting young people
• County Library service dropped out of the project (along with their mobile bus)
• The WYAN worker went on maternity leave (phase 1)
• Change of venue from Kenilworth to Westbury Centre
Website: Connect 4
Outcomes
Impact on participants
outcomes for young people (phase 1):
• ‘Art isn’t always just pictures & paintings’
• ‘Art is hard to do’
• ‘I’ve learned that art doesn’t have to be drawings on a wall to be called art’
• ‘fun working with people involved in the project’
• KSAG Art Gallery & Museum trail (their favourite objects)
outcomes for young people (phase 2):
• ‘Good fun and you get education from it. Really good fun’
• ‘A cool website which I am in and it’s just cool’
• ‘Loads of my ideas went in on the website so I felt I could make my own choices and decisions’
• More confidence about talking to gallery staff – wouldn’t have done before’.
• Post it notes on gallery feedback wall
• Website online survey
Impact on others involved
outcomes for partners:
• WYAN worker on maternity leave Phase 1
• Phase 2 – positive – in discussion about how to continue to jointly develop and promote the website
Institutional change
outcomes for gallery:
• ‘Feel as if we are taking part in a virtual project, like knitting fog’ (momentum)
• Plan to have an in-house briefing session before phase 2 commences
• Enjoyed meeting and working with KSAG
• Feel we now have strong links with the youth club and KSAG
• Phase 2 – Enjoyed working with young people – finally achieved status space and senior management recognition for work with young people
Lessons learned
What worked and what didn’t
success factors / learning outcomes:
• Future projects with young people will focus on short term (phase 2 was completed in 8 weeks) or residential work. Residential work depends on a strong relationship with the young people or partner organisation
• When working with the youth service the timing of the work is key – in the early stages time it to happen alongside existing youth club sessions (eg 7-9pm). Once you have established a relationship with a group this can be more flexible
• Partnership agreements are essential, including expected behaviour, outcomes and regular meetings to review
• Continuity and involvement of staff with the young people is key – for the young people’s security / relationship with you, and to benefit your own learning. eg. don’t rely purely on freelance delivery
• Increased awareness of the community in Kenilworth
• Website visitors are a valuable source of continual feedback to gallery
• The project needs a status space within the gallery (achieved in phase 2)
• Achieving recognition from Senior Management of quality of phase 2
• Assign a youth worker to assist the lead artist and/or employ 2 artists
• Don’t be afraid to risk doing it again even if it went wrong
challenges:
• Eventually recruited a group of young people (in an area where the youth service / provision is in a state of collapse)
• Unable to establish a focus group (there is now potential with the website discussion groups)
• Keeping the momentum of the project going (phase 2 momentum fine)
• Motivating / managing the lead artist for Phase 1 (the artist required constant supervision which we didn’t have staff resources to cover). Phase 2 lead artist was excellent
• 3 full time posts vacant at the Art Gallery & Museum mean that staff are having to cover other duties (gallery staff now re structured)
Next steps
what next?
• Presentation to all Art Gallery & Museum staff
• Do bulk of practical work with the young people during a residential to help maintain momentum
• Investigate potential existing rural networks for arts info points e.g. Live & Local
• Partner projects should share ideas, experiences and good practice during rather than after completion
• The website and dialogue it encourages will continue to grow. Helping to develop and inform future gallery work. Visit the Subcultures website at http://www.subcultures.org.uk